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Pesenti Allegra
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Rachel Whiteread: Drawings
Автор: Pesenti Allegra Жанр: Prestel Издательство: Prestel Год: 2010 Страниц: 224 Дата загрузки: 11 октрября 20132013-02-29
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While Whiteread's public works-such as House, the monumental cast of a nineteenth-century terraced house in the East End of London that earned her the Turner Prize, Water Tower, which graced the skyline of downtown New York, and Untitled Monument in Trafalgar Square-are renowned, her works on paper have remained largely unknown to the general public. This book explores Whiteread's draftsmanship, a lesser-known yet fundamentally important aspect of the artist's creative process. My drawings are a diary of my work, A Whiteread explains, and like the passages in a diary her drawings range from fleeting ideas to laboured reflections. This book sheds light on the distinctive characteristics of her works on paper, such as their variegated textures, the subtle nuances of tone over coloured graph paper, and the play of imagery in collaged constructions. It presents exquisite reproductions of Whiteread's drawings, with essays by Allegra Pesenti and Ann Gallagher. A visual essay by Whiteread is a distinguishing feature of the volume, reflecting an installation of found and made objects gathered from various sources. Taken as a parallel to her sculpture or seen as a further dimension of her art, her drawings constitute a significant and defined area of Whiteread's remarkable career, one that deserves close attention and celebration.
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Zarina: Paper Like Skin
Автор: Pesenti Allegra Жанр: Prestel Издательство: Prestel Год: 2012 Страниц: 128 Дата загрузки: 21 июля 20132014-05-22
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Zarina Hashmi's main working medium is paper, which she employs in woodcuts, etchings, drawings, rubbings and casts made from paper pulp. Minimal yet rich in associations, her abstract compositions are inextricably linked to her life and to the themes of dispossession and exile that have marked it. The concept of home-whether personal, geographical, national, spiritual, or familial-resonates throughout Zarina's work. Appearing in different guises throughout her oeuvre, her distinctive line is the unifying element of her compositions, like an umbilical cord that ties her to this world regardless of where she is. This generously illustrated volume places Zarina's work within a tradition of the use and fabrication of paper on the Indian Subcontinent, while also examining the themes of dispossession and exile that are subtly yet poignantly raised by her art.
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