|
|
|
|
| |
Ian Macdonald
|
|
The New Shostakovich
Автор: Ian Macdonald Жанр: Random House Inc. Издательство: Random House, Inc. Год: 2006 Страниц: 480 Дата загрузки: 11 июля 20092008-05-16
|
|
Who was Dmitri Shostakovich? The USSR's official figurehead composer and son of the revolution that brought the Soviet state into being, or a secret dissident whose contempt for the totalitarian regime was scathing? Perhaps both? Since the posthumous publication in 1979 of alleged memoirs by Shostakovich, the controversy about the composer and his music has escalated into the most rancorous debate the world of classical music has ever known. Ian MacDonald's «The New Shostakovich» presents the case for the dissident view, arguing passionately that the meaning of the composer's music cannot be fully appreciated without a knowledge of the terrible times he and his fellow artists lived through under Soviet Communism. A widely read and critically acclaimed book in the 1990s, this new edition has been comprehensively revised, extensively corrected, and updated with much new material. Whichever side of the debate readers support, «The New Shostakovich» presents them with a viewpoint which cannot be ignored.
|
| |
|
Revolution in the Head
Автор: Ian Macdonald Жанр: Random House Inc. Издательство: Random House, Inc. Год: 2008 Страниц: 544 Дата загрузки: 22 марта 20112009-12-07
|
|
As dazzling as the decade they dominated, The Beatles almost single-handedly created pop music as we know it. Today, their songs are cited as seminal influences by stars like Oasis, Blur and Kula Shaker. Eloquently giving voice to their time, The Beatles quite simply changed the world. Fully updated to include material from The Beatles Live at the BBC and the Anthology series, this acclaimed book goes back to the heart of The Beatles — their records. Drawing on a unique resource of knowledge and experience to 'read' their 241 tracks — chronologically from their first amateur efforts in 1957 to 'Real Love', their final 'reunion' recording in 1995 — Ian MacDonald has created an engrossing classic of popular criticism in which the extraordinary songs of The Beatles remain a central and continually surprising presence.
|
| |
|
|
|
|
|
