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Arnoldsche Art Publishers
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Netsuke: The Trumpf Collection (количество томов: 2)
Автор: Jirka-Schmitz Patrizia Жанр: Arnoldsche Art Publishers Издательство: Arnoldsche Art Publishers Год: 2008 Страниц: 704 Дата загрузки: 15 апреля 20122010-05-06
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Worn by Japanese men as sash toggles, netsuke were attracting the attenrion of The Japanese belt accessories for men known as netsuke aroused great interest in Europe already at the end of the 19th century. Today they have become special, highly-prized collector’s items all over the world. The main subjects are mythical creatures, gods of popular religion, and exotic animals and also depictions of Europeans, particularly Dutchmen, who fascinated the Japanese in the 18th and 19th century. The craftsmanship is of incomparable perfection, and the materials include boxwood, ivory, horn, coral, tortoise-shell and much else. Famous artists like Yoshimura Shûzan (1700–1773) and Ohara Mitsuhiro (1810–1878) created masterpieces which strongly influenced this art form. The two volumes present more than 850 objects from the collection of Anne and Christian Trumpf, one of the most important netsuke collections worldwide, with in-depth commentary and lavish illustrations. The author, Dr. Patrizia Jirka-Schmitz, is a well-known scholar in this field. A new standard work on netsuke – an area of collecting that over the last few years has grown immensely on an international scale.
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Passion for Meissen
Автор: Pietsch Ulrich Жанр: Arnoldsche Art Publishers Издательство: Arnoldsche Art Publishers Год: 2011 Страниц: 360 Дата загрузки: 04 июля 20122013-10-30
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This meticulously designed publication focuses on the artistic details of masterpieces of Meissen porcelain.
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Art Nouveau Documents: Modern Applied Arts 1902-1908
Автор: Pudor Heinrich Жанр: Arnoldsche Art Publishers Издательство: Arnoldsche Art Publishers Год: 2013 Страниц: 256 Дата загрузки: 28 марта 20162016-09-10
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Brings together a compedium of Art Nouveau items as puvlished in the magazine Documents of Modern Applied Arts.
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Pavel Tchelitchew: Metamorphoses
Автор: Kuznetsov Alexander Жанр: Arnoldsche Art Publishers Издательство: Arnoldsche Art Publishers Год: 2013 Страниц: 320 Дата загрузки: 20 декабря 20152014-06-15
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Pavel Tchelitchew (1898-1957) is amongst the most fascinating artist personalities of the modern era. After completing his apprenticeship in Moscow and Kiev, at the beginning of the 1920s he worked as a successful stage designer in Berlin, before relocating to Paris in 1923. He was influenced not only by Surrealism, but also by the Russian Symbolism, to which he added elements of Cubism. In the 1940s, now in New York, Tchelitchew dedicated himself to 'inner landscapes' and 'x-ray' portraits of heads and bodies, streaked with glowing veins, arteries and nerve pathways. Tchelitchew experimented continually with new styles, so as to find imagery for transcendent elements, cosmic structures and philosophical concepts. His comprehensive collection of studies, sketches and paintings constitutes an extraordinarily individual contribution to art in the modern era. This publication pays tribute for the first time to the full scope of his work and presents him in the context of contemporary art.
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Netsuke: 112 Meisterwerke
Жанр: Arnoldsche Art Publishers Издательство: Arnoldsche Art Publishers Год: 2012 Страниц: 288 Дата загрузки: 14 июля 20132017-08-24
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Worn by Japanese men as decorative sash toggles, Netsuke were attracting the attention of the Europeans by the late 19th century. Today these delightful art objects are coveted by collectors throughout the world. Netsuke motifs can be mythical beings and insects, molluscs and reptiles, animals that seemed exotic to the Japanese of the Edo and Meiji eras, as well as Dutchmen and other Europeans, Consumate, mastery of the carver's craft in a variety of materials. Among them boxwood, ivory, horn, hornbill, coral, tortoiseshell and lacquer, distinguishes these miniature works of art. The masterpieces created by famous carvers like Yoshimura Shuzan (1700—1773) and Ohara Mitsuhiro (1810—1878) shaped aesthetic developments in this art medium.
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Zeitgeist A Century of Idar-Oberstein Costume Jewellery
Автор: Knerr Anne-Barbara Жанр: Arnoldsche Art Publishers Издательство: Arnoldsche Art Publishers Год: 2010 Страниц: 192 Дата загрузки: 15 июня 20122014-03-16
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From the latter half of the nineteenth century, Idar-Oberstein developed into an important centre of costume jewellery production. Numerous factories, large and small, produced costume jewellery for the world into the 1980s although today this trade has virtually lost its former significance. During that long time span, Idar-Oberstein was one of the four major German jewellery centres along with Pforzheim, Schwabisch Gmund and Hanau. Idar-Oberstein costume jewellery reflects each of the prevailing fashions in turn: Historicism, Jugendstil/Art Nouveau, Art Deco — to 1960s and 1970s Informel and Zero. Innovative handling of simple (inexpensive) materials soon led to an aesthetic that stood on its own merits, independently of 'real' jewellery. Here the Bengel company — with its sophisticated Art Deco jewellery — exemplifies innovative models and business policy. The author was able to study many early documents and photographs in Idar-Oberstein archives as well as pieces of jewellery that, taken together, are highly instructive on the history of costume jewellery. A vivid image of twelve jewellery manufacturers is evoked; proprietors and employees, production conditions, models policy, pieces of jewellery in each period style and worldwide marketing and distribution. Costume jewellery from Idar-Oberstein was not usually marked (stamped) because it was sold through wholesalers; this is what makes attribution to specific makers quite difficult today.
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Bengel Art Deco Schmuck
Жанр: Arnoldsche Art Publishers Издательство: Arnoldsche Art Publishers Год: 2013 Страниц: 216 Дата загрузки: 27 августа 20152014-06-18
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Arnoldsche published «Art Deco Jewelry, Jakob Bengel, Idar-Oberstein» in 2002. Until then entirely unknown, the costume-jewellery maker Jakob Bengel was thus introduced to the annals of jewellery history. The discovery of this Art Deco collection, that is unique in 1930s European jewellery, focused public attention on the business (est 1873). Comprising a factory, with a villa for the proprietor and housing for the workforce, it had been preserved in its building, replete with machinery and tools as a relic of 1870s boom era costume jewellery. Turned into a cultural monument through the establishment of a foundation in 2001, today it makes 130 years of costume jewellery history come alive and is being successfully transformed into a centre for contemporary art jewellery. Rotating exhibitions, 'artists in residence' and studios for young artists in jewellery link tradition and future at a unique place.
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The Modern Style: Art Nouveau 1899-1905
Жанр: Arnoldsche Art Publishers Издательство: Arnoldsche Art Publishers Год: 2008 Страниц: 448 Дата загрузки: 20 декабря 20102011-04-25
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Features over 2500 objects such as metal, ceramics, glass, furniture and jewelry from the Art Nouvea movement that were included in leading internation al specialist journals. All of these journals have been combined in to this one volume with illustrations and information on designers and makers, making this an indispensable reference.
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MING: Porcelain for a Globalised Trade
Автор: Strober Eva Жанр: Arnoldsche Art Publishers Издательство: Arnoldsche Art Publishers Год: 2013 Страниц: 240 Дата загрузки: 23 декабря 20152015-10-20
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The Ming Dynasty (1368 1644) is regarded as one of the most glorious in Chinese history especially in regards to porcelain. Ming denotes the finest and most precious porcelain, which regularly achieves astronomical prices at auctions. The Ming vase is a popular cliche even for those who are not familiar with the history of Chinese ceramics. This publication unveils the Ming myth, by presenting the internationally recognised collection of Chinese ceramics at the Dutch Ceramics Museum Princessehof. It comprises spectacular items of the highest quality, which were created exclusively for the Chinese imperial court. The rich and varied inventory of Chinese export ceramics for the Southeast Asian market, primarily from the former Dutch colony of Indonesia, is presented here in context for the first time. The founding of the Dutch East India Company VOC1602 also finally opened up the European market for Ming porcelain. Most significantly the blue and white Kraak porcelain, which was an exotic decorative luxury in wealthy households and features prominently in Dutch still lifes of that era.
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