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Andy Warhol
 

The Philosophy of Andy Warhol: From A to B and Back Again The Philosophy of Andy Warhol: From A to B and Back Again
Автор: Жанр: Penguin Group Издательство: Penguin Group Год: 2007 Страниц: 256 Дата загрузки: 25 июня 2009
   In his autobiography, published in 1975, the private Andy Warhol talks about love, sex, food, beauty, fame, work, money, success; about New York and America; and about himself — his childhood in McKeesport, Pennsylvania, good times and bad times in the Big Apple, the explosion of his career in the Sixties, and life among celebrities.
 
A Novel A Novel
Автор: Жанр: Virgin Publishing Издательство: Virgin Publishing Год: 2009 Страниц: 464 Дата загрузки: 26 февраля 2011
   In the late 1960s, Andy Warhol, one of the most influential artists of the twentieth century, set out to turn an ordinary book into a piece of pop art. He said that he wanted to create a 'bad' novel 'because doing something the wrong way always opens doors'. The result was this astonishing account of the famously influential group of artists, superstars, addicts and freaks who made up the world of Warhol's Factory. A: A Novel was created from audiotapes recorded in and around the Factory between August 1965 and May 1967 and transcribed verbatim, complete with typos and missing words. It begins with the fabulous Warhol superstar Ondine popping pills and follows its characters as they converse with inspired, speed-driven wit and cut swathes through the clubs, coffee shops, hospitals and whorehouses of 1960s Manhattan. This is a unique conceptual project — part novel, part artwork — and is the perfect literary manifestation of Andy Warhol's pop art sensibility.
 
POPism: The Warhol Sixties POPism: The Warhol Sixties
Автор: Жанр: Penguin Group Издательство: Penguin Group Год: 2008 Страниц: 416 Дата загрузки: 05 июня 2010
   A cultural storm swept through the 1960s — Pop Art, Bob Dylan, psychedelia, underground movies — and at its centre sat a bemused young artist with silver hair: Andy Warhol. Andy knew everybody (from the cultural commissioner of New York to drug-driven drag queens) and everybody knew Andy. His studio, the Factory, was the place: where he created the large canvases of soup cans and Pop icons that defined Pop Art, where one could listen to the Velvet Underground and rub elbows with Edie Sedgwick and where Warhol himself could observe the comings and goings of the avant-guarde.
 

 

 

 

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