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Yale University Press

Giorgio Morandi: The Art of Silence Giorgio Morandi: The Art of Silence
Автор: Жанр: Yale University Press Издательство: Yale University Press Год: 2008 Страниц: 288 Дата загрузки: 13 октрября 2011
   Giorgio Morandi (1890-1964), an Italian painter and printmaker renowned for his simple yet stunning still lifes, is also famous for his legendary reputation as a recluse, an artist who resided in a world bound by the walls of his Bologna studio. Giorgio Morandi: The Art of Silence is the first and only study in English to cover Morandi's career in its entirety as well as in the sociopolitical and cultural context of Italian art. Janet Abramowicz, Morandi's former teaching assistant, takes the reader through half a century of Italian art history and its most significant movements — Futurism, Pittura Metafisica, Valori Plastici, Strapaese, Novecento — most of which have received scant attention from English-language scholars. Abramowicz shows how Morandi worked in close proximity to mainstream contemporary European art and tells the story of his relationship to the Fascist politics and patrons of his time, illustrating how his connections to this period were muted after the fall of the regime in post-World War II Italy in an effort to establish the artist as apolitical. Morandi was the only Italian modernist to emerge from Fascism unscathed. An important new addition to scholarship on twentieth-century Italian art history, this book features many rare and previously unpublished images and will fascinate admirers of Morandi and his quietly transcendent work.
 
The Unicorn Tapestries at the Metropolitan Museum of Art The Unicorn Tapestries at the Metropolitan Museum of Art
Автор: Жанр: Yale University Press Издательство: Yale University Press Год: 2008 Страниц: 128 Дата загрузки: 21 августа 2010
   The unicorn tapestries are one of the most popular attractions at The Cloisters, the medieval branch of The Metropolitan Museum of Art. Traditionally known as The Hunt of the Unicorn, this set of seven exquisite and enigmatic tapestries was likely completed between 1495 and 1505. The imaginatively conceived scenes, displaying individualized faces of the hunters and naturalistically depicting the flora and fauna of the landscape, are beautifully captured in silk, wool, and metal yarns. Written by one of the world's leading authorities on medieval textiles and illustrated with many lovely colour reproductions, The Unicorn Tapestries traces the origins of the tapestries as well as possible interpretations of their symbolic meaning. This is an essential book for any lover of medieval art and textiles.
 
The Art and Architecture of Russia The Art and Architecture of Russia
Автор: Жанр: Yale University Press Издательство: Yale University Press Год: 2008 Страниц: 482 Дата загрузки: 14 августа 2010
   This revised and up-dated history confines itself to Russia west of the Urals, the Russia whose artistic beginnings lay in the response of a newly settled people to the impact of Christianity and the Byzantine Empire. In the first centuries the arts flourished and developed in the independent states and principalities, but gradually native schools in centres like Novgorod and Kiev gave way to centralization based on Moscow. From the emergence of Russia under Peter the Great until the late 19th century, specifically Russian qualities gave way to Western European inspiration and advice. However, as the 19th century developed, there was a reaction from foreign domination and this led to the rediscovery of native traditions.
 
The Glory of Venice: Art in the Eighteenth Century The Glory of Venice: Art in the Eighteenth Century
Автор: Жанр: Yale University Press Издательство: Yale University Press Год: 2008 Страниц: 528 Дата загрузки: 10 декабря 2010
   Venice, home of Tiepolo, Canaletto, Piranesi, Piazzetta, and Guardi, was the city of eighteenth-century Italy most conducive to the creation of art. This lavishly illustrated book examines the whole range of the arts in Venice during this period, including paintings, pastels and gouaches, drawings and watercolors, prints, illustrated books, and sculpture.
 
Leonardo da Vinci, Master Draftsman Leonardo da Vinci, Master Draftsman
Автор: Жанр: Yale University Press Издательство: Yale University Press Год: 2008 Страниц: 800 Дата загрузки: 15 июля 2009
   Leonardo da Vinci (1452-1519) stands as a supreme icon in the history of Western civilization. With much of his work lost or unfinished, the key to his legacy is without doubt to be found in the enormous body of his extant drawings and accompanying manuscript notes. Famous for their beauty and technical virtuosity, Leonardo's drawings were avidly sought by collectors even during his lifetime. This volume offers a portrait of Leonardo as a draftsman, integrating his diverse roles as an artist, scientist, inventor, theorist and teacher. A chronological framework is also provided in order to shed light on his extraordinary life and career. The essays and entries — written by the world's leading Leonardo scholars — survey the wide variety of drawing types that Leonardo used and also examine a small group of works by artists critical to his artistic development in Florence and to his multifaceted activity in Milan.
 
Picasso: The Artist's Studio Picasso: The Artist's Studio
Автор: Жанр: Yale University Press Издательство: Yale University Press Год: 2008 Страниц: 192 Дата загрузки: 15 июля 2009
   For Picasso, the artist's studio was the centre of the world, the crossroads of all that was occurring in his life and in contemporary society. His paintings of the studio range across nearly every aspect of his art, from portraits of himself, his friends, lovers and children, to commentaries on political events, evocations of great artists of the past and allegories of creativity itself. This stunning book focuses on Picasso's depictions of the artist's studio in paintings, drawings and prints throughout his career, showing how he found there his most profound expression of the creative process. Michael FitzGerald discusses Picasso's devotion to the studio as a place where he learned his artistic skills, as a social and intellectual centre where he negotiated with dealers, disputed with critics and seduced lovers, as a site for exploration of the imagination and of essential themes of life and as a place where he confronted the passing of life. The major part of the book analyses numerous relevant paintings and drawings, showing how they relate to developments in Picasso's art or life and to his oeuvre as a whole. William Robinson then focuses on the famed painting La Vie, a scene of an artist and model that is transformed into an allegory of sexual desire and social respectability. This lavishly illustrated book will accompany an exhibition that opens at the Wadsworth Atheneum, Hartford, Connecticut, in June 2001 and the Cleveland Museum of Art in Ohio in October 2001.
 
Caravaggio and His Followers in Rome Caravaggio and His Followers in Rome
Автор: Жанр: Yale University Press Издательство: Yale University Press Год: 2011 Страниц: 224 Дата загрузки: 11 октрября 2014
   The Italian artist Caravaggio (1571-1610) had a profound impact on a wide range of baroque painters of Italian, French, Dutch, Flemish, and Spanish origin who resided in Rome either during his lifetime or immediately afterward. This captivating book illustrates the notion of Caravaggism, showcasing 65 works by Peter Paul Rubens and other important artists of the period who drew inspiration from Caravaggio. Also depicted are Caravaggio canvases that fully exhibit his distinctive style, along with ones that had a particularly discernible impact on other practitioners. Caravaggio's influence was greatest in Rome, where his works were seen by the largest and most international group of artists, and was at its peak in the early decades of the 17th century both before and after his untimely death at the age of 39. Not since Michelangelo or Raphael has one European artist affected so many of his contemporaries and over such broad geographic territory. Essays by an array of major Caravaggio scholars illuminate the underlying principles of the exhibit, reveal how Caravaggio altered the presentation and interpretation of many traditional subjects and inspired unusual new ones, and explore the artist's legacy and how he irrevocably changed the course of painting.
 
The Metropolitan Museum of Art Guide The Metropolitan Museum of Art Guide
Жанр: Yale University Press Издательство: Yale University Press Год: 2012 Страниц: 448 Дата загрузки: 24 июля 2013
   This completely reconceived and rewritten guide to the Metropolitan Museum's encyclopedic holdings — the first new edition of the guidebook in nearly thirty years — provides the ideal introduction to almost 600 essential masterpieces from one of the world's most popular and beloved museums. It features a compelling and accessible design, beautiful color reproductions, and up-to-date descriptions written by the Museum's own experts. More than a simple souvenir book, The Metropolitan Museum of Art Guide provides a comprehensive view of art history spanning five millennia and the entire globe, beginning with the Ancient World and ending in contemporary times. It includes media as varied as painting, photography, costume, sculpture, decorative arts, musical instruments, arms and armor, works on paper, and many more. Presenting works ranging from the ancient Egyptian Temple of Dendur to Canova's Perseus with the Head of Medusa to Sargent's Madame X, this is an indispensable volume for lovers of art and art history, and for anyone who has ever dreamed of lingering over the most iconic works in the Metropolitan's unparalleled collection.
 
Ivy Style: Radical Conformists Ivy Style: Radical Conformists
Автор: Жанр: Yale University Press Издательство: Yale University Press Год: 2012 Страниц: 224 Дата загрузки: 12 сентября 2017
   Many of the most familiar sartorial images of the 20th century can be traced to the prestigious college campuses of America. The Ivy League Look, or Ivy Style, was once a cutting-edge look that for decades led the evolution of menswear. Far more than a classic way of dressing, Ivy Style spread beyond the rarified walls of Harvard, Yale, and Princeton to influence countless designers. Focusing on menswear dating from the early 20th century through today, this elegant book traces the main periods of the look: the interwar years when classic items, such as tweed jackets and polo coats, were appropriated from the English man's wardrobe and redesigned by pioneering American firms such as Brooks Brothers and J. Press for young men at elite East Coast colleges; then from 1945 to the late 1960s, when the staples of Ivy Style — oxford cloth shirts, khaki pants, and penny loafers — were worn by a new, diverse group that included working-class students and jazz musicians; and finally the current revival of the Ivy look that began in the early 1980s. Ivy Style celebrates both high-profile proponents of the style — including the Duke of Windsor, Steve McQueen, Paul Newman, and Miles Davis — who made the look their own, and designers such as Ralph Lauren, J. McLaughlin, Tommy Hilfiger, Michael Bastian, and Thom Browne, who have made it resonate with new generations of style enthusiasts.
 
Handbags Handbags
Автор: Жанр: Yale University Press Издательство: Yale University Press Год: 2012 Страниц: 272 Дата загрузки: 28 мая 2015
   The history of the handbag — its design, how it has been made, used, and worn — reveals something essential about women's lives lived over the last 500 years. Perhaps the most universal item of fashionable adornment, it can also be elusive, an object of desire, secrecy and even fear. Handbags explores these rich histories and multiple meanings. This book features specially commissioned photographs of an extraordinary, newly formed collection of fashionable handbags that dates from the 16th century to the present day. It has been acquired to exhibit in the first museum devoted to the handbag, in Seoul, South Korea. The project is a commission undertaken by experimental exhibition-maker Judith Clark, whose innovative practices are revealed in Handbags. Essays by leading fashion historians and an acclaimed psychoanalyst investigate the history of gesture, the psychoanalysis of bags, and the museum's state-of-the-art mannequins and archive cabinets. In order to preserve the words that describe the unique qualities of each bag, a terminology of handbags has been compiled.
 
Leonardo Da Vinci Leonardo Da Vinci
Автор: Жанр: Yale University Press Издательство: Yale University Press Год: 2011 Страниц: 304 Дата загрузки: 7 октрября 2014
   The reputation of Leonardo da Vinci (1452-1519) as an inventor and scientist, and his complex personality, have sometimes almost overshadowed the importance of his aims and techniques as a painter. This exquisite book focuses on a crucial period in the 1480s and 90s when, as a salaried court artist to Duke Ludovico Sforza in the city-state of Milan — freed from the pressures of making a living in the commercially minded Florentine republic — Leonardo produced some of the most celebrated and influential works of his career. The Last Supper, his two versions of The Virgin of the Rocks, and The Lady with an Ermine (a beautiful portrait of Cecilia Gallerani, Ludovico's mistress) were paintings that set a new standard for his Milanese contemporaries. Leonardo's style was magnified, through collaboration and imitation, to become the visual language of the regime, and by the time he returned to Florence in 1500, his status had been utterly transformed. This new examination of Leonardo's painting career and his lasting impact on Italian Renaissance style features works from U.S., British, and European collections. Collectively, they represent the diverse range of his artistic output, from drawings in chalk, ink, and metalpoint to full-scale oil paintings. Together with the authors' meticulous research and detailed analysis, they demonstrate Leonardo's consummate skill and extraordinary ambition as a painter.
 
Rembrandt and the Face of Jesus Rembrandt and the Face of Jesus
Автор: Жанр: Yale University Press Издательство: Yale University Press Год: 2011 Страниц: 256 Дата загрузки: 27 апреля 2015
   With the creation of the dramatic Supper at Emmaus (Louvre) and a series of intimate oil sketches of Christ on oak panels, Rembrandt van Rijn (1606-1669) overturned the entire history of Christian art. Traditionally, when depicting Christ, artists had relied on rigidly copied prototypes and icons. Among Rembrandt's innovations was his use of a Jewish model to portray a Christ imbued with empathy, gentleness, grace, and faithfulness to nature. Lavishly illustrated, this captivating and important book presents the seven known panels, along with more than 60 paintings, drawings, and prints by Rembrandt and his pupils. Essays by expert contributors offer insights into the production of the panels and their relationship to other works in Rembrandt's oeuvre; how he changed the meaning and status of the canonical image of Christ in northern European art; and much more. Rembrandt and the Face of Jesus is a marvelously intriguing study of how one of the greatest painters of the Dutch Golden Age revolutionized an aspect of art history dating to antiquity.
 
Bernini: Sculpting in Clay Bernini: Sculpting in Clay
Автор: Жанр: Yale University Press Издательство: Yale University Press Год: 2013 Страниц: 400 Дата загрузки: 16 декабря 2015
   The brilliantly expressive clay models created by Gian Lorenzo Bernini (1598-1680) as sketches for his works in marble offer extraordinary insights into his creative imagination. Although long admired, the terracotta models have never been the subject of such detailed examination. This publication presents a wealth of new discoveries (including evidence of the artist's fingerprints imprinted on the clay), resolving lingering issues of attribution while giving readers a vivid sense of how the artist and his assistants fulfilled a steady stream of monumental commissions. Essays describe Bernini's education as a modeler; his approach to preparatory drawings; his use of assistants; and the response to his models by 17th-century collectors. Extensive research by conservators and art historians explores the different types of models created in Bernini's workshop. Richly illustrated, Bernini transforms our understanding of the sculptor and his distinctive and fascinating working methods.
 
Metamorphosis: Poems Inspired by Titian Metamorphosis: Poems Inspired by Titian
Автор: Жанр: Yale University Press Издательство: Yale University Press Год: 2012 Страниц: 56 Дата загрузки: 03 августа 2014
   As part of a unique collaboration between the National Gallery and the Royal Opera House, fourteen leading poets were invited to respond to three great masterpieces by the Renaissance painter, Titian: Diana and Callisto, Diana and Actaeon and The Death of Actaeon. Titian's paintings were inspired by Ovid's Metamorphoses — stories of transformation — and depict the fatal consequences of a mortal tragically caught up in the affairs of the gods. Titian would have known Ovid's poem from a contemporary translation in Italian. This book's introduction by Nicholas Penny, Ovid, Titian, and English Poetry, shows how Titian incorporated specific elements from Ovid's verses in his paintings, and compares some of the most famous translations in English, from the first version by Arthur Golding (1565) to those by Joseph Addison (1717) and Ted Hughes (1997). The late Lucian Freud described Diana and Callisto and Diana and Actaeon as 'simply the most beautiful pictures in the world'. These new poems, each illustrated with full-colour details from Titian's paintings, demonstrate the quality and range of writing in Britain today, and show how Old Master paintings continue to inspire living artists.
 
Gabriel Metsu: Life and Work Gabriel Metsu: Life and Work
Автор: Жанр: Yale University Press Издательство: Yale University Press Год: 2012 Страниц: 320 Дата загрузки: 20 декабря 2014
   Despite his untimely death in 1667 at the age of thirty-seven, Gabriel Metsu left a substantial oeuvre of history paintings, portraits, still lifes, and a large number of exquisite genre scenes. These charming depictions of kitchen maids, elegant young ladies, hunters, drinkers, and amorous couples have gained Metsu a place among the most celebrated painters of seventeenth-century Holland. But his personal life has remained enigmatic. This absorbing book presents the information for Metsu's life and his network of connections, and details the complete range of his work. It will become the standard work on the artist.
 
John Singer Sargent: Figures and Landscapes, 1900-1907 John Singer Sargent: Figures and Landscapes, 1900-1907
Автор: Жанр: Yale University Press Издательство: Yale University Press Год: 2013 Страниц: 400 Дата загрузки: 16 декабря 2015
   From 1900 to 1907, John Singer Sargent (1856-1925) traveled considerably, visiting the Alps, Italy, Spain, Norway, and Palestine. In Palestine in 1905, he painted a significant group of oils and watercolors as well as a group of studies of the Bedouin. It was during this burst of artistic production that he painted The Mountains of Moab (Tate Gallery, London), which was the first pure landscape he ever exhibited (Royal Academy, 1906). In Italy and Spain, Sargent painted parks, gardens, fountains, and statues, subjects that reveal his taste for the high style of Renaissance and Mannerist art and for the romantic grandeur of deserted spaces. As evidenced by the works in this new volume, Sargent reinvented himself as a landscape painter during his travels. Expressing a finely developed sense of modernity, he selected quirky angles of vision and used a range of compositional strategies — compression, foreshortening, abrupt croppings, and receding perspectives — in a manner that is quasi-photographic. He exploited the material qualities of pigment, and the impasto is often so thickly applied that figure and landscape seem to dissolve together creating rich, near abstract surface patterns. The restless handling and dynamic compositional rhythms act in creative tension with the artist's more traditional subject matter, generating notions of instability and ambiguity that are distinctly modern in character.
 
The Empire's New Clothes: A History of the Russian Fashion Industry, 1700-1917 The Empire's New Clothes: A History of the Russian Fashion Industry, 1700-1917
Автор: Жанр: Yale University Press Издательство: Yale University Press Год: 2010 Страниц: 276 Дата загрузки: 16 февраля 2012
   In 1701, Tsar Peter the Great decreed that all residents of Moscow must abandon their traditional dress and wear European fashion. Those who produced or sold Russian clothing would face 'dreadful punishment'. Peter's dress decree, part of his drive to make Russia more like Western Europe, had a profound impact on the history of Imperial Russia. This engrossing book explores the impact of Westernization on Russia in the eighteenth and nineteenth centuries and presents a wealth of photographs of ordinary Russians in all their finery. Christine Ruane draws on memoirs, mail-order catalogues, fashion magazines, and other period sources to demonstrate that Russia's adoption of Western fashion had symbolic, economic, and social ramifications and was inseparably linked to the development of capitalism, industrial production, and new forms of communication. This book shows how the fashion industry became a forum through which Russians debated and formulated a new national identity.
 
Chinese Ceramics Chinese Ceramics
Автор: Жанр: Yale University Press Издательство: Yale University Press Год: 2011 Страниц: 687 Дата загрузки: 14 февраля 2013
   This lavishly illustrated catalogue is a comprehensive historical review of Chinese ceramics covering newly excavated discoveries from the Paleolithic era thousands of years ago to the end of the Qing dynasty in 1911. Throughout China's history there has been an ongoing practice of invention and innovation in the forms, materials, decorations, and functions of ceramics made in China, both for the domestic market and for its ever-growing trade with foreign markets. The creation of ceramic ware holds a special and very important place among the many arts and inventions that characterize Chinese culture, society, and civilization. The product of a ten-year collaboration among eminent American, Chinese, and Japanese scholars, the volume offers a new perspective in interpreting the oldest and one of the most admired Chinese art forms, from its technological aspects to its aesthetic value. The volume includes a chapter on Chinese export ceramics that delves into Chinese trade activities and ceramic wares made for export as well as a chapter about the authenticity of Chinese ceramics, discussing issues related to connoisseurship of this Chinese art. As author He Li writes, Despite the rich variety of Chinese ceramics around the world, no fully illustrated, photographed survey of a complete history has been attempted in English. This volume will convey the excitement of encountering these specially chosen examples for the first time.
 
Ars Sacra 800-1200 Ars Sacra 800-1200
Автор: Жанр: Yale University Press Издательство: Yale University Press Год: 1995 Страниц: 340 Дата загрузки: 22 сентября 2009
   The magnificent bronze doors of Hildesheim Cathedral, the ivory, gold, enamelled and bejewelled book covers made to contain superbly illuminated manuscripts, the startling reliquary caskets made in the shape of the part of the body supposed to be contained within them — these and other sacred objects were contained within church treasuries and cloisters in the early Middle Ages in Europe. This book traces the development of these so-called Minor Arts and the major role they played alongside the other pictorial arts and architectural sculpture of the period.
 
A Closer Look: Still Life A Closer Look: Still Life
Автор: Жанр: Yale University Press Издательство: Yale University Press Год: 2010 Страниц: 96 Дата загрузки: 15 апреля 2014
   What is still life? We are familiar with the objects portrayed but have difficulty explaining the essence of this popular art form. Erika Langmuir examines the special fascination of still life, and what distinguishes it from other categories of painting. She discusses its evolution from the trompe l'oeil wall paintings of antiquity, through its revival in the age of Caravaggio and Velazquez, and again in the works of Cezanne and Picasso. Originally published as Pocket Guide Still Life, this eloquent survey benefits from a wider format, new reproductions and updated references.
 


 

 

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