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Phaidon Press

Jenny Holzer Jenny Holzer
Автор: Жанр: Phaidon Press Издательство: Phaidon Press Год: 2010 Страниц: 160 Дата загрузки: 26 февраля 2012
   Jenny Holzer is an artist who works with new media, in locations ranging from baseball stadiums to public transportation systems. This book surveys all her installations, including her celebrated marble benches and electronic boards at the DIA Foundation New York, street and gallery based exhibitions, permanent public monuments, and works on the World Wide Web. Starting on the streets of New York with simple fly-posters, she has gone on to disseminate her truisms, slogans, memorials and poems through a variety of media. They are enunciated by an unstable register of personae be it ad man, stand up comic, torturer, victim or evangelist. The sites for her work range from T shirts and golf balls, to dazzling electronic signboards at baseball stadiums or the Internet. Her work uses language to investigate ideologies, conscious and unconscious formations about identity and experience. Her complex and poetic texts can be shocking, humorous and intriguing in content; at the same time she draws on Minimalism's use of industrial materials, and deploys scale, movement and light to create art of great formal power and beauty. The book is part of a series of studies of important artists of the late-20th century. Each title offers a comprehensive survey of the artist's work, providing analyses and multiple perspectives on contemporary art and its inspiration.
 
Gericault Gericault
Автор: Жанр: Phaidon Press Издательство: Phaidon Press Год: 2010 Страниц: 232 Дата загрузки: 13 декабря 2012
   This new monograph explores the life and works of Theodore Gericault (1791-1824), whose compelling career and legacy continue to captivate audiences, artists, and critics alike. In her comprehensive survey, Nina Athanassoglou-Kallmyer pays tribute to established Gericault scholarship while reassessing the career of an artist too easily miscast as the archetypal 'tortured soul' of art-historical Romantic mythology. She examines Gericault's career in the context of France under the Restauration, during which Louis XVIII s controversial rule resulted in vigorous popular debate over civic structures, the political process, and even aesthetic categories. Gericault immersed himself in these polemics, taking an intense interest in the fait divers, or 'daily happenings', of his time. The author explores his interest in medical and psychiatric science (as exemplified by a series of portraits of mental patients), his empathy for the poor and dispossessed (the subject of numerous lithographs), and the entrepreneurial spirit that led him to exhibit his epic canvas, the Raft of the Medusa, in London as a commercial venture. Gericault is presented as an artist committed to capturing contemporary life with creative integrity and dramatic verve.
 
Francis Ford Coppola Francis Ford Coppola
Автор: Жанр: Phaidon Press Издательство: Phaidon Press Год: 2010 Страниц: 104 Дата загрузки: 25 мая 2013
   Francis Ford Coppola (USA, b. 1939) is the oldest of the generation of 'movie brats', including Scorsese and Spielberg, who breathed new life into the Hollywood of the 1970s. He revived the glory of the studio age with the legendary «Godfather» saga (1972-90), explored the soul of America at war in Vietnam with «Apocalypse Now» (1979) and has directed some of the greatest actors, including Brando, Pacino and De Niro. Having outgrown the role of director decreed by the major studios, he is now an independent producer and continues to direct films with undimmed brilliance («Tetro», 2009).
 
Ernst: Colour Library Ernst: Colour Library
Автор: Жанр: Phaidon Press Издательство: Phaidon Press Год: 2010 Страниц: 128 Дата загрузки: 21 августа 2012
   This series acts as an introduction to key artists and movements in art history. Each title contains 48 full-page colour plates, accompanied by extensive notes, and numerous comparative illustrations in colour or black and white, a concise introduction, select bibliography and detailed source information for the images. Monographs on individual artists also feature a brief chronology.
 
Kitaj Kitaj
Автор: Жанр: Phaidon Press Издательство: Phaidon Press Год: 2010 Страниц: 304 Дата загрузки: 7 декабря 2012
   R. B. Kitaj (1932-) is recognized as a modern master whose powerful, controversial and highly personal paintings, pastels and drawings reflect his unfashionable commitment to the human figure as a subject, and his complex involvement with the art of the past, with political and social issues, and with his own Jewish identity. Marco Livingstone's definitive and much praised monograph on Kitaj is based on an extraordinary series of interviews and letters between the artist and the author, and provides full and up-to-date documentation of Kitaj's life and work. The artist himself participated actively in the design of the book, and a series of articulate and revealing 'prefaces' to his own paintings are also included here. For this expanded third edition, the author has written a new chapter surveying Kitaj's work in the 1990s, a tragic period dominated by his now famous confrontation with the critics of his 1994 retrospective exhibition, the subsequent death of his wife the artist Sandra Fisher, and his eventual return to the United States. This text is complemented by a new plate section illustrating 22 recent works, and three additional 'prefaces' written by the artist. The Bibliography and Catalogue of Works have been expanded and updated, and finally many illustrations that were black-and-white in earlier editions are now reproduced in full colour. With its fresh account of a productive and turbulent phase in Kitaj's career, this new edition will be indispensable for all admirers of the artist.
 
Klee: Colour Library Klee: Colour Library
Автор: Жанр: Phaidon Press Издательство: Phaidon Press Год: 2010 Страниц: 128 Дата загрузки: 21 августа 2012
   This series acts as an introduction to key artists and movements in art history. Each title contains 48 full-page colour plates, accompanied by extensive notes, and numerous comparative illustrations in colour or black and white, a concise introduction, select bibliography and detailed source information for the images. Monographs on individual artists also feature a brief chronology.
 
Marina Abramovic Marina Abramovic
Автор: Жанр: Phaidon Press Издательство: Phaidon Press Год: 2010 Страниц: 160 Дата загрузки: 26 февраля 2012
   Marina Abramovic is a widely revered artist whose courageous performance works have revolutionized visual arts. A pivotal figure for several generations, Abramovic has been enthusiastically embraced by the newest crop of artists, critics and art historians. Her iconic endurance works have featured prominently in virtually every comprehensive survey of performance art. With a career that spans more than thirty years, Abramovic continues to produce groundbreaking new work, including the acclaimed seven-day performance «Seven Easy Pieces» at the Guggenheim in 2006. As the first book in more than a decade to look at her challenging work in its entirety, this monograph will offer a fresh take on an artist whose work is key to the latest developments in contemporary art.
 
Masters of Cinema: Alfred Hitchcock Masters of Cinema: Alfred Hitchcock
Автор: Жанр: Phaidon Press Издательство: Phaidon Press Год: 2010 Страниц: 103 Дата загрузки: 24 августа 2012
   Alfred Hitchcock (UK, 1899-1980) is undeniably the world's most famous film director. His name has become synonymous with the cinema, and each new generation takes the same pleasure in rediscovering his films, which are now treasures of our artistic heritage. Hitchcock started out in the British silent cinema of the 1920s, which reached its peak with successful thrillers such as «The Man Who Knew Too Much» (1934), «Sabotage» (1936) and «The Lady Vanishes» (1938). Recognized as a 'young genius', Hitchcock moved to Hollywood and set about reinventing cinematic tradition, combining the modern with the classic in films such as «Vertigo» (1957), «North by Northwest» (1959) and «The Birds» (1963). Hitchcock gave talented actors such as James Stewart and Cary Grant the chance to play enduring antiheroes and imprinted the public imagination with the myth of the 'blonde', as embodied by Grace Kelly, Kim Novak and Tippi Hedren.
 
Ancient Light: A Portrait of the Universe Ancient Light: A Portrait of the Universe
Автор: Жанр: Phaidon Press Издательство: Phaidon Press Год: 2010 Страниц: 128 Дата загрузки: 21 августа 2012
   This book brings together the finest collection available of star clusters, galaxies, nebulae and other such spectacular phenomena caught on film. Each beautiful image, made from a series of delicate yet rich platinum prints, is accompanied by a clear and engaging caption. Malin's short texts (approximately 100 words) describe the depicted phenomena and some of the mythology surrounding them. The book is divided into nine sections, using the constellations as a framework to identify the positions of the images in the sky. Each section is introduced by a short text describing the featured constellations and a celestial map. In his introductory essay, Malin outlines the history and importance of photographing the night sky, describing how very long exposures taken with a telescope reveal stars and distant galaxies too faint to be seen by the eye. By studying galaxies, we learn about our origins and perhaps our destiny and, the origins of the ingredients of life and the destinies of stars like the Sun and the planets associated with them. Much of our current knowledge on these subjects was gleaned from black and white photographs like those in this book, which were originally taken for scientific purposes. Using the world's most sophisticated telescopes and his own revolutionary techniques, Malin brings us awe-inspiring images of distant worlds and amazing phenomena. He is a pioneer of space photography and has invented new ways of capturing the unseen universe on photographic plates, leading to the discovery of two new types of galaxies. His photographs capture light that has travelled immense distances, sometimes thousands of light years, to reach us.
 
Luc Tuymans: Is It Safe? Luc Tuymans: Is It Safe?
Автор: Жанр: Phaidon Press Издательство: Phaidon Press Год: 2010 Страниц: 224 Дата загрузки: 11 октрября 2013
   Beginning with 'Gilles de Binche' (Antwerp, 2005) and concluding with 'Against the Day' (Brussels, Moscow and Malmo, 2009-10), acclaimed painter Luc Tuymans produced a landmark suite of seven thematically linked bodies of work. Their meta-narrative, which traces the philosophical and psychic roots of contemporary civilization, weaves together a range of photographic source images, from St Peter's to Disneyland to Big Brother, that together tell the banal and terrifying story of our times. Luc Tuymans: Is It Safe? features this source imagery alongside more than 100 of the artist's newest paintings, many never before published. Accompanying each body of work is an introductory text written by the artist, while the essay 'Tuymans, Loyola, Leibniz', specially commissioned by Mexican artist Pablo Sigg, provides historical and philosophical context. 'Proper', an essay by Belgian art historian Gerrit Vermeiren, looks at one body of work in detail, tracing the themes and sources of each painting and capturing the cultural atmosphere of the moment in which they were produced. And an extensive interview between Tuymans and his assistant Tommy Simoens offers additional insight into the artist's thinking and motivations. Celebrated as one of the world's most gifted and visionary painters, Tuymans has been creating iconic works of contemporary painting for nearly three decades. With their enigmatic compositions and modulated colours, these works are moving and unmistakable, and their power continues to win new converts to Tuymans's chilling vision of history painting.
 
Ed Ruscha Ed Ruscha
Автор: Жанр: Phaidon Press Издательство: Phaidon Press Год: 2010 Страниц: 272 Дата загрузки: 28 июня 2012
   Restlessly inventive, Ruscha (pronounced roo-SHAY) has remained a step ahead and apart from the art trends and movements of his time. Pop Art, Conceptual Art, Surrealism, Photo-Realism, and today's renewed focus on painting resonate in a body of work that ultimately defies categorization. Born in Omaha, Nebraska, in 1937, Ruscha lived in Oklahoma City until he moved permanently to Los Angeles in 1956, where he studied at the Chouinard Art Institute until 1960. Side jobs in typography and layout, a revelatory trip to Europe, and influential encounters with Jasper Johns' art contributed to an artistic vision attuned to the prosaic look and language of popular culture. By the early 1960s Ruscha was well known for his paintings, collages, and printmaking, and for his association with the Ferus Gallery group, which also included artists Robert Irwin, Edward Moses, Ken Price, and Edward Kienholz. He later achieved recognition for his paintings incorporating words and phrases and for his many photographic books. This book, now in paperback, is the first monograph on Ed Rucha. It is organized in thematic chapters that follow the work roughly chronologically concluding with his recent «mirror mountains» works (shown at the Gagosian Gallery in NY in spring 2002). This organization brings to light the surprising diversity of Ruscha's work, while at the same time showing the recurrence of themes and styles throughout his career. Rather than focusing on a long, daunting scholarly essay illustrated by the artist's painting, this book is first and foremost about the work. Rather than using the paintings to illustrate his text, author Richard Marshall, in the manner of an informed curator, writes his text to illustrate the paintings. This is obvious in the design of the book, which allows the work to speak for itself in generous, beautifully reproduced plate sections.
 
Auguste Rodin Auguste Rodin
Автор: Жанр: Phaidon Press Издательство: Phaidon Press Год: 2010 Страниц: 208 Дата загрузки: 17 августа 2012
   This new monograph examines the life and works of Auguste Rodin (1840-1917), whose compelling career and legacy continue to captivate audiences, artists and critics alike. As one of the greatest and most prolific sculptors of the nineteenth and twentieth centuries, Rodin transformed sculpture-making and reinvigorated what was considered to be a dying art form. Born into a working-class family, Rodin had little formal education in the fine arts and struggled against poverty throughout his career. At an early age, he attended the Petite Ecole, a school for drawing and mathematics, learning skills aimed at the commercial sector. Then, having failed the entrance examinations for the Ecole des Beaux-Arts three times, Rodin supported himself by working for several commercial studios as an assistant for a few years. In 1863, devasted by the death of his beloved sister, Maria, the artist joined a religious community, the Order of the Blessed Sacrament, which was under the direction of Father Pierre-Julien Eymard, who would become the subject of one of Rodin's first sculptures. Realizing that religion was not his calling, Rodin returned to Paris, where he began to work in the studios of Albert Carrier-Belleuse, a fashionable commercial sculptor, who was to have a considerable impact on the art and career of the young sculptor. At this time, Rodin also began to work on his own, creating portraits of his father and studying the works of Rubens. After a trip to Italy in 1875, Rodin also studied the works of Michelangelo, whose influence was crucial to his development and his determination to be a sculptor. Rodin's signature style of working directly from the model was formed early with his «Man with the Broken Nose», which was rejected for the Salon exhibition in 1865, although the marble version was accepted ten years later. Rodin then created «The Age of Bronze», the first work in which a sense of his true potential can be seen. The originality of this work was met with resistance, and critics accused Rodin of making a cast from a live model, suspicious as they were of the incredible realism of the statue. In spite of this, Rodin's «The Age of Bronze» was purchased in 1880 by the French state, who subsequently commissioned the sculptor for the large entrance portal for the Musee des Arts Decoratifs, soon to be called «The Gates of Hell». Drawing inspiration from Dante's «The Divine Comedy» and Baudelaire's «Les Fleurs du Mal», Rodin created such masterpieces as «The Kiss», «The Thinker» and «The Three Shades», originally parts of «The Gates of Hell». Another monumental project, «The Burghers of Calais», also demonstrates the sculptor's tendency to play with the relationship between volume and space through the technique of fragmentation and assemblage as Rodin studied every aspect of the work intensively, creating maquettes and sculptures for the heads, hands, feet and the lines of the burgher's robes. Other important works such as Rodin's «Monument to Balzac» and his portraits of Victor Hugo, among many others, are also examined in detail. In 1910 Rodin was named Grand Officer in the Legion of Honour and became one of the very few artists to achieve such a high status. This new monograph is a perfect introduction to the work of this original and influential sculptor. The book combines Jane Mayo Roos' scholarly yet accessible text with 200 beautiful photographic reproductions of Rodin's works, from his early drawings to his well-known sculptures. In relating the history of Rodin's sculpture, the author has set the artist's career in the context of the art world of the period and emphasized the ways in which his sculptures differed significantly from the works produced by his contemporaries. In addition, Roos also offers an analysis of the making of sculpture in the nineteenth century, explaining the role mechanical reproduction played in the processes by which marble and bronze sculptures were made at the time, thereby clarifying the existence of posthumous casts.
 
Mona Hatoum Mona Hatoum
Автор: Жанр: Phaidon Press Издательство: Phaidon Press Год: 2010 Страниц: 160 Дата загрузки: 26 февраля 2012
   Through performance, video, sculpture and installation Mona Hatoum immerses her audience in emotional and psychic states — as they take a journey through all the orifices of her body; watch her «drowning» in mud in a glass box; or walk down a long tunnel towards a light which literally will burn them. Whilst her video work is often visceral and emotive, her sculptures and environments are ultra cool and minimal in their aesthetic. They often mimic domestic or institutional furniture yet their designs and material have a threatening edge. This text argues that Hatoum's works can be seen as powerful evocations of statelessness, anxiety, denial and otherness. The book is part of a series of studies of important artists of the late-20th century. Each title offers a comprehensive survey of the artist's work, providing analyses and multiple perspectives on contemporary art and its inspiration.
 
Tomma Abts Tomma Abts
Автор: Жанр: Phaidon Press Издательство: Phaidon Press Год: 2010 Страниц: 136 Дата загрузки: 15 сентября 2015
   This volume on Tomma Abts (b. 1967) will be published in conjuction with the exhibition of the same name that will be on display at New York's New Museum of Contemporary Art from 9 April to 29 June 2008. It explores how the artist creates forms that delight the eye and challenge the mind. While working within strict parameters, Abts has reinvented abstraction for the twenty-first century. This is the first monograph on Abts, providing an extensive overview of more than ten years of work. It includes illuminating essays by three top critics, as well as full color reproductions of virtually every painting and drawing made by the artist since 1997.
 
Masters of Cinema: Pedro Almodóvar Masters of Cinema: Pedro Almodóvar
Автор: Жанр: Phaidon Press Издательство: Phaidon Press Год: 2010 Страниц: 104 Дата загрузки: 25 мая 2013
   Pedro Almodovar (Spain, b. 1951) single-handedly represents the revival of Spanish cinema as part of the cultural flowering of the Movida Madrilena in the 1980s. New York was first to hail the unbridled imagination of this provocative director, whose films are filled with transsexuals, neurotics («Women on the Verge of a Nervous Breakdown», 1988) and even drug-addicted nuns («The Law of Desire», 1987). In his maturity, Almodovar has continued to draw inspiration from his underprivileged childhood in a remote corner of La Mancha, making melodramas bursting with heightened passions expressed by unforgettable actors such as enelope Cruz («All About My Mother», 1999; and «Broken Embraces», 2009) and Gael Garcia Bernal («Bad Education», 2004).
 
Magnum Degrees Magnum Degrees
Автор: Жанр: Phaidon Press Издательство: Phaidon Press Год: 2010 Страниц: 536 Дата загрузки: 13 октрября 2013
   Here the photographers of Magnum, 50 years after the legendary group began its documentary mission, address the world following the fall of the Berlin Wall in 1989; a period which has seen the triumph of US capitalism at one extreme and the resurgence of ancient blood feuds at the other. The book is built around photo-essays selected and introduced by the photographers, many shot especially for the book. From Henri Cartier-Bresson to Magnum's newest recruits, each photographer navigates the issues of history in their own way — some tackling the dramatic changes in the world head-on in the traditional manner of the «concerned photographer», others choosing subjects and aesthetic viewpoints which are entirely personal. The result is an album of contemporary photography about the world today. «Magnum» is introduced by historian, broadcaster and cultural commentator Michael Ignatieff, linking the substance and pace of change in the post-Cold-war world with the historic role of the Magnum witness and image-maker. This is a book about history and humanity, journalism and art, and revealing the photographers of Magnum entering a new era
 
Contemporary World Interiors Contemporary World Interiors
Автор: Жанр: Phaidon Press Издательство: Phaidon Press Год: 2010 Страниц: 512 Дата загрузки: 18 июля 2011
   »Contemporary World Interiors» takes the reader on a global tour of the best and most provocative interior design and architecture projects of the past 25 years, presenting the characteristic traits, influences, and enduring ideas of the contemporary interior. Rather than simply charting passing trends, author Susan Yelavich, a veteran New York-based curator and critic, describes some 450 specific projects by famous designers and promising newcomers alike, in countries as far-ranging as Russia, Israel, Chile, South Korea, and South Africa, as well as more familiar locales in Europe, Japan, and North America. A carefully edited selection of more than 1000 color photographs and plans illustrates the book, all reproduced at a generous format. The book is organized in 11 chapters by building type, with an introduction that presents an overview of the changes and ideas affecting interior architecture and design over the past three decades. As Yelavich points out, gone are the days when any one aesthetic language dominated, as the International Style did in the years after World War II. The new interior climate is inclusive, and once-alien styles flourish side by side. All kinds of interiors — from the once-minimal loft to the once-antiseptic hospital room — show evidence of a renewed interest in ornament, in craft and materiality, and in spatial complexities, often tempered by modernist, postmodernist, or deconstructivist influences. Each chapter opens with a brief introduction of dominant historical precedents and themes, then moves to detailed descriptions of 20 to 50 individual projects, noting the designer, project name, location, year of completion, and significant aspects of the interior, including its architecture, furnishings, color palette, and materials, as well as the designer's or client's aims. The book begins with chapters on residential interiors — houses, lofts, and apartments — following Yelavich's argument that domestic space has become the catalyst for entirely new ways of thinking about other kinds of interiors, from the office worker's cubicle to the nurse's station to the librarian's reading room. The book moves on to offices, civic spaces, religious spaces, cultural spaces, retail, restaurants, hotels, and therapeutic spaces. Within the chapters, readers will find familiar names and places, such as the Tate Modern in London by Herzog and de Meuron; Nobu restaurant in New York, by David Rockwell; and the thermal baths in Vals, by Peter Zumthor; as well as new discoveries, such as the Psychiatrist Hospital in Zeeland, the Netherlands, by the Dutch firm Mecanoo; the Korean Presbyterian Church in New York, by Greg Lynn; and the Joyce Department Store in Taipei, by the New York firm Tsao and McKown.
 
Lewis Carroll Lewis Carroll
Автор: Жанр: Phaidon Press Издательство: Phaidon Press Год: 2010 Страниц: 128 Дата загрузки: 21 августа 2012
   A man of many talents, Lewis Carroll (1832-1898), the pen name of Charles Lutwidge Dodgson, was a distinguished Professor of Mathematics at Christ Church College, Oxford, and a successful author of children's books. Long before he published the famous Alice's Adventures in Wonderland, Carroll was a dedicated and prolific photographer, creating approximately 3,000 images during his twenty-five years of photographic activity. He is mostly remembered for his exceptional photographs of children, which include portraits of Alice Liddell, the inspiration behind his classic book. Carroll also used to compile his photographs into albums and send them to major cultural figures in Victorian society, in hopes that they might want similar portraits of themselves or their children. His photographs thus include sitters such as the family of the Pre-Raphaelite painter and poet Dante Gabriel Rossetti, John Everett Millais, and Alfred Lord Tennyson, among others. His work also features portraits of family members and close friends as well as landscapes and still lifes, demonstrating the remarkable extent and complexity of Carroll's photographic art. His work has become embedded deeply in modern culture, influencing many artists. His photographs have seen a recent resurgence in popularity, demonstrating their importance to the history of photography. Carroll is now considered one of the greatest Victorian photographers.
 
The Photobook: A History, Vol: 1 The Photobook: A History, Vol: 1
Автор: Жанр: Phaidon Press Издательство: Phaidon Press Год: 2010 Страниц: 320 Дата загрузки: 19 марта 2013
   This book provides a unique perspective on the story of photography through the particular history of the photobook. The first of two extensive volumes, it is a study of the major trends and movements that have shaped the photobook genre since the birth of photography in the early nineteenth century. It represents a valuable catalogue of rare and important photobooks. This volume covers the history of photobooks from the earliest examples of the genre from the nineteenth century, through the modernist and propaganda books of the 1930s and 40s, to the radical Japanese photobooks of the 60s and 70s. While the history of photography is a well-established canon, much less critical attention has been directed at the phenomenon of the photobook, which for many photographers is perhaps the most significant vehicle for the display of their work and the communication of their vision to a mass audience. In the first of two volumes, both co-edited by Martin Parr and Gerry Badger, The Photobook provides a comprehensive overview of the development of the photobook, from its inception at the dawn of photography in the early nineteenth century through to the radical Japanese photobooks of the 1960s and 70s, by way of the modernist and propaganda books of the 1930s and 40s. In his introduction, Badger argues that the photobook is one of the most significant photographic genres due to the extent of its distribution and level of availability, and contests the traditional notion that the history of photography is best represented by the original print. This study provides an important corrective to the traditional history of photography. The selection of photographers made by Badger and Parr challenges the popular canon, and their survey of the history of the photobook reveals a secret web of influence and interrelationships between photographers and photographic movements around the world. The book is divided into a series of thematic and broadly chronological chapters, each featuring a general introductory text providing background information and highlighting the dominant political and artistic influences on the photobook in the period, followed by more detailed discussion of the individual photobooks. The chapter texts are followed by spreads and images from over 200 books, which provide the central means of telling the history of the photobook. Chosen by Parr and Badger, these illustrations show around 200 of the most artistically and culturally important photobooks in three dimensions, with the cover or jacket and a selection of spreads from the book shown. Volume One also features an illuminating and provocative introduction, 'The Photobook: Between the Film and the Novel' by Badger, which is accompanied by a preface written by Parr.
 
Nan Goldin Nan Goldin
Автор: Жанр: Phaidon Press Издательство: Phaidon Press Год: 2010 Страниц: 128 Дата загрузки: 21 августа 2012
   Nan Goldin is internationally recognized as one of today's leading photographers. Her photographs have been exhibited in museums and galleries worldwide, including SFMOMA, California, the Whitney Museum of American Art, New York, the Stedelijk Museum, Amsterdam, Centre Pompidou, Paris and the Museu Reina Sofia, Madrid. Born in Washington DC, Goldin grew up in Boston where she began taking photographs at the age of fifteen. She has since lived in New York, Bangkok, Berlin, Tokyo and Paris, amassing an extensive body of work that represents a fascinating photographic portrait of our time. Since the 1980s, Goldin has consistently created images that are intimate and compelling; they tell personal stories of relationships, friendships and identity, but simultaneously chronicle different eras and the passage of time. Her 'snapshot'-esque images of her friends — drag queens, drug addicts, lovers and family — are intense, searing portraits that, together, make a document of her life. Goldin herself has commented on her photographic style and philosophy, saying, 'My work originally came from the snapshot aesthetic ...Snapshots are taken out of love and to remember people, places, and shared times. They're about creating a history by recording a history'. Her work often breaks social taboos with its explicit exploration of relationships, sexuality and eroticism, and has also shown the devastating effect AIDS has had on her community of friends. Through its sequence of 55 images, Nan Goldin presents an overview of the photographer's entire career, and illustrates the development of the intimate and raw style for which Goldin has become internationally renowned.
 


 

 

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